A melodramatic clash of ideologies and a warm, deeply moving third act lift Mao's Last Dancer above politics and into the realm of emotion, art and beauty.. The most interesting elements of Li's story -- dance, politics, and the politics of dance -- have been dulled from their source material, though not beyond recognition.. Too often, though, the film plods along on the ground.. Bruce Beresford, the veteran director of such Oscar fare as Tender Mercies and Driving Miss Daisy, apparently didn't ...
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